Headphones

Studio headphones divide by job and by impedance, and getting both right is the whole decision. Open-back models (HD 600, HD 650, HD 490 PRO, K712 Pro, ATH-R70xa, DT 990 Pro, MDR-MV1) offer a wider, more natural soundstage for mixing but leak sound and don't isolate, so they're poor for tracking near a live mic. Closed-back designs (ATH-M50x, DT 770 Pro, HD 25, AKG K371) seal in sound for recording and noisy environments. Impedance matters because high-ohm models like the HD 600 want a proper headphone amp to reach full volume and clarity.

Tiers track transducer quality and reference neutrality. Enthusiast picks, the ATH-M50x, DT 770/990 Pro, HD 25, and K371, are dependable all-rounders for tracking and casual mixing. Pro options like the HD 600/650, HD 490 PRO, K712 Pro, ATH-R70xa, and MDR-MV1 aim for flatter, more revealing response suited to critical mix decisions.

Decide first whether you need them for tracking (closed-back, good isolation) or mixing (open-back, wider stage), then check the impedance against what your interface or amp can drive, since a high-impedance pair on a weak output will sound thin. Our scores rely on published specs and driver data rather than listening tests, so weigh open versus closed and impedance against your room and gear.